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Over a period of 15 years, Joel Sternfeld travelled across America and took portrait photographs that form, in Douglas R. Nickel's words, "an intelligent, unscientific, interpretive sampling of what Americans looked like at the century's end." Unlike historical portraits which represent significant people in staged surroundings, Sternfeld's subjects are uncannily normal: a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man holding his bedding. Using August Sander's classic photograph of three peasants on their way to a dance as a starting point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed The Circumstantial Portrait. What happens when we encounter the other in the midst of a circumstance? What presumptions, if any, are valid? What, if anything, can be known of the other from a photographic portrait?

• Sales Rank: #250395 in Books
• Published on: 2012-08-15
• Original language: English
• Number of items: 1
• Dimensions: 11.60" h x .80" w x 13.60" l, 3.90 pounds
• Binding: Hardcover
• 132 pages

From Publishers Weekly
hotographer Joel Sternfeld turns his exacting eye to American faces, social classes, character types and stereotypes in Stranger Passing. Sternfeld who wowed critics in 1987 with American Prospects devotes a remarkable (and remarkably large) volume to 60 hard-edged, full-color studies of individuals from Manhattan to Malibu, Austin, Texas to Appalachia, in candids and portraits by turns comic, disturbing, angry, pathetic and silly. A surprised lawyer struggles with bundles of laundry; a lumberjack shows off his truck, his logs and his belly button; and "two men on vacation in Bigfoot, Montana" smile through big mustaches at their tiny dog. Journalist Ian Frazier (On the Rez) and San Francisco Museum of Modern Art curator Douglas R. Nickel contribute short essays.

Copyright 2001 Cahners Business Information, Inc.

About the Author
Joel Sternfeld has had numerous group and solo exhibitions worldwide, including at the Museum of Modern Art, New York, and the Museum of Fine Arts, Houston. He is the recipient of two Guggenheim Fellowships and a Prix de Rome.

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